Friday, 10 April 2026

Wind From the Abyss

 

 


Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

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I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” Ihad seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





*Don’t miss the previous books in the series!**

Find them on Amazon



Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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Check out the cover reveal of Tap Out!

 

 


Check out the cover reveal of Tap Out!

Are You Ready To Rumble?


Tap Out

Sin City Book 2

by Rylee Dare

Genre: Contemporary MMA Sports Romance



Torin 

I achieved one dream while I screwed up another, but I was going to reclaim my Spitfire, and no one could stop me. She was still mine. 

 

Diem 

I’d been burned by men one too many times. So, yeah, it was better to forget about all of them because I’d never find what I truly wanted in a relationship. The elusive fairytale ending was just that. In real life, it didn’t exist. 

 

Soren 

The moment I saw a leather-clad goddess strut into my nightclub with a beast of a man, I knew I’d do anything to have her. The thing was, she insisted she was done with men and said my pursuit was a waste of time. 

 

Ha! We’d see about that. 

 

**COMING AUGUST 2026!**

 

Cover Model: Tony Brettman @tonybrettman 

Photographer: Eric Wainwright @wainrightimages 

Cover Design by: Elise Hoffman 








Like many authors who say they have been writing as long as they can remember, Rylee is the same.

Besides writing romance, she’s an avid reader and listener of audiobooks who supports all human-created arts and lives in the beautiful Smoky Mountains of Tennessee with her husband and their diva of a cat they adore.

 Rylee writes contemporary romance, sports romance, sci-fi, paranormal romance, and fantasy. She also writes contemporary romance, ranging from sweet to steamy, as well as inspirational romance, historical fiction, and romantic suspense under the name D.L. Lane.

 

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Follow the reveal HERE for special content and a giveaway!





🎧 AUDIO COVER + NARRATOR REVEAL 🎧 Just the Tip & Here, Kitty Kitty by @jeniaksnow are coming to audio!

 



🎧 AUDIO COVER + NARRATOR REVEAL ðŸŽ§
Just the Tip & Here, Kitty Kitty by @jeniaksnow are coming to audio!
These are your next palate-cleansing, no-holds-barred listens.
We’re talking high spice, ultra kinky, and just the right amount of forbidden romance smut to keep you entertained.

--> Duet narration by @readbyashbeverly & @angelinaroccaromance
Stay tuned… release details coming soon so you can binge them back-to-back the second they go live.

Wednesday, 8 April 2026

Thea Audiobook

 

 


Poverty, prejudice, her mother’s addiction…in her quest for an education, 15-year-old Thea tries to navigate them all. But will a secret ultimately undermine her efforts?


Thea

by Genevieve Morrissey

narrated by Nicole Fikes

Genre: YA Historical Fiction, Coming of Age


2025 Page Turner Book Award winner for Best Historical Fiction & Character Architect Award

 

Oklahoma City, 1925

Fifteen-year-old Thea Carter lives in a small garage apartment—Thea’s seventh “home” in four years—provided by her alcoholic mother’s employer, the morose and enigmatic Dr. Hallam.

School is Thea’s refuge and she’s an excellent student, but the parasitic Mrs. Carter’s instability continually threatens her dream of getting a high school diploma. In an effort to keep her mother employed and the two of them housed, Thea secretly takes on much of her mother’s work while at the same time navigating adolescence, friendships, and first love.

Dr. Hallam, impressed by her drive and intelligence, becomes Thea’s unexpected ally, but in addition to wealth and position, the doctor also has a secret that could ruin him, and shatter his bond with Thea.

 

"Morrissey crafts a wise and moving coming-of-age historical novel with resonant contemporary themes, meticulous period detail, and flawed but sympathetic characters who will win readers’ hearts… Lovers of historical fiction and coming-of-age stories will relish time spent with Thea." —BookLife 'Editor's Pick' review

"Thea is a coming-of-age tale with a lot of heart and charm… Morrissey's characters truly leap off the pages." —Readers' Favorite review


"The story is one of friendship and found family, with a heartwarming conclusion… THEA is a moving historical coming-of-age novel whose characters' compassion and empathy inspires.” —IndieReader review

 

**Now available as an audiobook!**

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Thea is the new historical novel by Genevieve Morrissey, author of the award-winning Marriage & Hanging and the popular Antlands science fiction series. She is an avid student of British and American social history who, through one of those strange little quirks of fate, spends most of her days talking with scientists. In addition to writing, Genevieve enjoys reading obscure books, travel, and solitude.

 

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Follow the tour HERE for special content and a giveaway!


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Monday, 6 April 2026

Ghostly Returns

 

 


Irish folklore meets small town USA


Ghostly Returns

Ghostly Howls Book 2

by Stephanie Hansen

Genre: Paranormal Romance, Urban Fantasy, Romantasy



Irish folklore meets small town USA

Strange visitors have appeared in Ethel, their clothes and mannerisms jarring against the familiar rhythm of the coastal town. The woman in Orla and Dave's spare room speaks in archaic phrases and marvels at electric lights, while the silent man staying with Molly and Cormac carries a translucent device that glows with symbols no one recognizes.

As fog rolls in from the sea, bringing with it the now-familiar whispers and cold spots that signal another haunting, the four friends realize they must unravel the temporal mystery before them. The clock tower strikes at midnight, and both past and future hang in the balance.

*Contains mature themes, open door sex scenes, and mature language.

 

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Three years ago, the small town of Ethel, VA, was rocked to its core when the lighthouse became a beacon for something an-cient and hungry. Every year since then, we’ve cast a protection spell, tying knots in rope while visualizing a protective shield, at the weathered tower a week before Samhain, our voices car-ried away by the salt-tinged wind. This year’s no different.

Cormac’s slender fingers intertwine with mine as we ap-proach Orla and Dave across the grassy shoreline. We’ve man-aged to mostly heal from the toxic tendencies of the past—the jealousy, the competition, the midnight arguments that left scorch marks on the walls. Magical abilities complementing each other have a tendency to do that, like puzzle pieces finally finding their fit.

The mid-October sunlight glints off Cormac’s long, blonde hair, turning each strand into spun gold against the blue sky. We don’t meet here at night anymore, not since the shadows began to move independently of their owners. She gently squeezes my hand in reassurance, slight crow’s feet crinkling around her eyes with a smile that blooms one of my own in return. She tries to continue her broody exterior by wearing a scuffed leather jacket with silver buckles, but her face is too full of light these days to continue the façade.

“It’s about time you two showed up,” Orla says as she wraps me in a hug, her dark curls tickling my cheek. Her automatic soul-possessing ability takes hold straight away, a warm honey-like sensation flooding through my veins. I feel her anxiety—sharp and metallic—and she feels mine. While hers is about the treacherous events three years ago, mine is about the small vel-vet box burning a hole in my pocket, holding a moonstone ring for Cormac.

I know she’ll say yes; I hear Orla’s thoughts echo in my mind like a whisper in an empty room. To assuage her anxiety, I push forward images of Cormac and me from earlier in the morning. We’d stayed in bed, all consumed with passionate kisses and bodies moving in rhythmic dance together; sheets twisted around our ankles, the taste of her still on my lips.

Okay, okay, you’re excused for being late, Orla sends through the connection, her mental voice tinged with amuse-ment. Then it’s gone as Dave, tall and broad-shouldered in his flannel-lined jacket, gently pulls her out of the hug. He com-plements her power as Cormac complements mine, his deep voice carrying over the crash of waves against the shore.

“Did you actually expect them to be on time?” he asks her, his breath visible in the chilly air.

Orla looks at me, her eyes sparkling, and we snicker like schoolgirls sharing a secret.

“Some of us know how to keep a woman in bed,” I goad Dave, watching his cheeks flush crimson.

Before he can respond, Cormac says, “Guys, I think you should come over here,” her voice tight with tension.

She’s rounding the other side of the lighthouse, her boots crunching on the path. I jog over to her, worried she might be in danger, the wind whipping my hair across my face. Once I’m next to her, I’m struck with frozen terror, my breath catching in my throat. As Orla and Dave’s footsteps catch up, I try to count the sleeping bodies sprinkled around the remnants of a bonfire.

Sprawled across the damp autumn ground lies a peculiar as-sembly of slumbering figures—some adorned in woolen cloaks and flowing medieval gowns; others draped in shimmering flapper dresses and tweed vests and flat caps. The incongruous sight sends a chill down my spine, conjuring memories of that haunted night years ago when phantoms in pheasant feathers and tarnished armor materialized from the mist. Could history be repeating itself? I draw Cormac closer, my fingers tightening protectively around her shoulder. A bitter wind sweeps through the clearing, rustling crimson leaves and stirring the strange visitors from their dreams.

“Oh, halloo,” calls a woman with cascading silver-streaked hair that catches the morning light. Deep laugh lines frame her eyes as she rises gracefully to her feet, brushing debris from her embroidered skirts. Her button nose crinkles above heart-shaped lips as she smiles warmly. “I’m Marie. We weren’t expecting anyone so early.”

“You’re days early for Samhain,” Orla informs her, her voice carrying across the clearing.

“Samhain!” exclaims a younger woman with stylish curls and bright eyes. She leaps up, clapping her hands together with enthusiasm, silver bracelets jingling at her wrists. “I’m Florian. I absolutely adore a proper shindig.”

Another woman glides forward, her tweed vest firmly hug-ging her body. She loops her arm possessively around Florian’s slender waist and extends her other hand, adorned with bangles that glint in the early light. “Kiersten,” she offers, her voice me-lodic but guarded.

“Molly, and this is Cormac,” I reply, mirroring Kiersten’s protective gesture by drawing Cormac against my side, feeling her warmth through her leather jacket.

“Might there be lodgings available in your village?” Marie inquires, her eyes scanning the distant rooftops visible through the thinning trees.

“Not anywhere that could accommodate a gathering of this size,” Dave responds, his weathered hands resting on his leather belt.

A tall woman with anxious eyes approaches Orla hesitantly. A man with sandy blond hair clutches her trembling arm as she nervously smooths out her skirt. Dave and I don’t miss her flinch with his touch, juxtaposing their closeness. It resurfaces memories from when Dave and Orla couldn’t touch. “Hello, I’m Claudia,” she murmurs, “and may I present Alex?” Her delicate fingers twist together nervously while Alex soothingly rubs her goosebump-covered arms.

“Orla and Dave,” Dave announces, nodding curtly. When Alex extends his hand to Orla, Dave intercedes and shakes his hand, so Orla doesn’t have to.

“Um, Orla,” Alex interjects, his deep voice surprisingly gen-tle. “Pardon our intrusion, but might Claudia ask you something rather personal?”

“Of course, what troubles you?” Orla asks, leaning forward with interest.

“Do you perceive others’ thoughts when you make physical contact?” Claudia whispers, her pale cheeks blooming with a rosy flush that spreads to the tips of her ears.

“Perhaps we should escort this assemblage to our home-stead,” Dave interrupts, clearing his throat. “We have several spare rooms. Not sufficient for everyone, but certainly prefera-ble to camping outside.”

“We’d be eternally grateful,” Marie responds, casting a con-cerned sideways glance at Claudia’s distressed expression. “A proper rest would benefit us tremendously after our... unusual journey.”




Ghostly Howls

Ghostly Howls Book 1




Irish folklore meets small town USA

A heartbroken half banshee, a cockle selling soul possessor, and a town haunted by mysteries…if they don't find the killer, Orla and Molly might die before finding their soulmates.

Orla and Dave's love has been unrequited for as long as they can remember. Cormac and Molly are used to drawing outside the lines. None of them are prepared for the new ghostly neighbors.

In a town that's always ostracized them, can Molly and Orla finally use their powers openly in order to save the citizens?

*Contains mature themes, open door sex scenes, and mature language.

*Don't miss the YA series also by Stephanie Hansen - Altered Helix & Replaced Parts







Stephanie Hansen is a PenCraft and Global Book Award Winning Author as well as an Imadjinn finalist. Her debut novella series, Altered Helix, released in 2020. It hit the #1 New Release, #1 Best Seller, and other top 100 lists on Amazon. It is now being adapted to an animated story for Tales. Her debut novel, Replaced Parts, released in 2021 through Fire & Ice YA and Tantor Audio. It has been in a Forbes article, hit Amazon bestseller lists, and made the Apple young adult coming soon bestsellers list. The second book in the Transformed Nexus series, Omitted Pieces, released in 2022. Her debut spicy paranormal romance, Ghostly Howls, released 2023. Her debut historical magical realism, Armored Hours, released 2024. The Armored Hours sequel, Guarded Time, released 2025 and the Ghostly Howls sequel, Ghostly Returns, released 2026. She is a member of the deaf and hard of hearing community, so she tries to incorporate that into her fiction.

 

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