Borrowed Child

 

 

A haunting and suspenseful cautionary tale, Borrowed Child is about what happens when a well-meaning inclination toward “salvation” goes awry.

Borrowed Child:

A Story of Parenting Across Two Cultures

by Marguerite Welch

Genre: Multicultural Contemporary Fiction, Drama

For fans of Little Fires Everywhere, a novel that explores the ambiguities of motherhood and salvation through the anguished relationship between a troubled, undocumented Mexican teenager and the grieving, upper-middle-class mother who takes her in.

After the drug overdose of her teenage son, Helen, a privileged white woman, takes in Mia, a troubled and undocumented Mexican teenager.

Although they initially fill each other’s voids, Helen’s lofty expectations of Mia eventually test that bond and Mia, tortured by guilt and starved for affection, runs off with Diego, an MS13 gang leader. While Helen, bereft over losing another child, tries to reconstruct her life, Mia’s life with Diego spirals into a nightmare: Just after she has his baby, he goes to jail for multiple murders. As each woman moves forward through her own challenges, Helen confronts her deep-seated prejudices, while Mia battles her own demons in search of self-identity and meaning in her life.

A haunting and suspenseful cautionary tale, Borrowed Child is about what happens when a well-meaning inclination toward “salvation” goes awry.

 

[A] detailed and occasionally heartbreaking portrait that pays special attention to the physical and emotional struggles of a young undocumented immigrant." —Kirkus

 

“With the grace and complexity of The White Album by Joan Didion, Borrowed Child examines how intention and action, especially for white people, might misinterpret the complexities of race and power in the United States. With gorgeous writing, Welch subverts expectations and gifts us a nuanced view of prejudice.”—Melissa Scholes Young, author of Flood and The Hive

  

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CHAPTER 1: HELEN

 

For more than a week I could not make myself open the door to Mia’s room. When I finally raised the shades, light illuminated the space like a stage set: the rumpled bed, the hot pink lipstick on the dresser, the closet door agape, revealing the outfit I gave her for church. Gray wool slacks dangled awkwardly from a plastic hanger, the silk blouse discarded in a dusty corner along with one dirty sock—all clues, remnants of a life lived on this stage. But was it the beginning of the play or the end?

Mia had just started her senior year in high school. I knew she was intimidated by all the college visits and apprehensive about submitting the applications, but I had convinced myself that she was ready to say goodbye to her old life and start anew. Sure, we’d experienced difficulties and detours, what family doesn’t? But I believed all was resolved; believed, that is, until one random Wednesday in late September when she never came home. No one saw her—not her teachers, the office staff, or her counselor. No one knew where she was.

At first, I thought Mia had gone off with friends and simply forgotten to call. She would have called, wouldn’t she? Maybe she had gone back to her birth mother’s home. But that seemed unlikely. I pulled out my cell phone every few minutes to see if I had missed a text. By 8:00 p.m. I called her mother.

“Maybe she go off with drug dealer boyfriend,” Carmen said in broken English.

What drug dealer boyfriend? I wanted to cry out, but knew it was pointless. I couldn’t understand her rapid-fire Spanish and our adversarial relationship over the years had made meaningful communication impossible. Carmen’s lack of concern for Mia’s welfare had always mystified and infuriated me.

“You no call the police, okay?” Carmen added. It had been my experience that people in the Hispanic community often panicked when they saw a uniform. It wouldn’t do any good to get the police involved and might make it worse.

“Okay, but please call me if you hear anything,” I pleaded.She never called.

I cried on my husband’s shoulder. “How could Mia do this? Something must be very wrong.” Don was upset too, but couldn’t resist giving me that “I-told-you-so” look, patting my hand with a restrained sense of obligation rather than genuine concern, or so I read it at the time. Now I understand how needy and unfair I was. He had always been so loving and supportive no matter how crazy my schemes and passionate my interests, whether he understood them or not.

The saying “opposites attract” could not have been truer in our relationship. He was a man of science. I was a dreamy artistic type. He read Naval Institute Proceedings. I read poetry. He liked spaghetti. I liked sushi. He couldn’t tell a petunia from a daisy. I was a gardener. And yet, life together was better than apart. When our boys came along, he was an involved, loving father who disciplined with love and loved unrestrainedly. But, at that moment, if I could have gotten beyond my own conflicted feelings of hurt and worry, I could have seen by the way his hand shook as he picked up his Maker’s Mark on the rocks and took a couple of quick gulps that he was genuinely concerned about Mia’s absence.

It was too hard. Both of us felt the stab of an old, only partially healed wound, for which Mia had been a temporary anesthetic. Don banged his drink down on the table, half surprised by the noise, and hugged me silently, afraid to say a word, one pain masking another. An image swam to the surface: Sammy’s grin and tousled mop of blond hair. How could we have been so unaware of the troubled waters beneath that sunny smile? The dark, anxious place that became his secret home beyond our reach and knowing. Now, clueless again, we had let another child slip through the cracks and I was left clutching her abandoned lipstick until my palm bled.

Marguerite Welch is a writer, artist, photographer and sailor whose essays and reviews on fine art photography have been published in the NEW ART EXAMINER, WASHINGTON REVIEW OF THE ARTS, AFTERIMAGE and other local and national art publications. Short personal essays and travel pieces have appeared in BAY WEEKLY, WANDERLUST and CHESAPEAKE BAY MAGAZINE. Her travel memoir, WATERBORNE: A SLOW TRIP AROUND A SMALL PLANET, published by Seaworthy Publications in September 2019, documents a 14-year world circumnavigation undertaken with her husband in their 38-foot sailboat Ithaca. In her spare time she tends her garden on the banks of the Severn River in Annapolis, Maryland where she and her husband have lived for 40 years.

 

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